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Check out these guitare note images:

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guitare note

Image by fofie57

Bend♪ng the blue harmonic 7th . .
guitare note

Image by jef safi \ ‘Parker Mojo Flying
Rhizom-E-xquisite line of nodes

node mimes♪s
. . explorating multiplicity of blurrings/edging processes
. . composing with Chaos (Entropy) in love for each dot (pixels)
. . looking for nebulous vanishing lines

node cat♫arsis
. . keeping the control playing the guitar on a pentatonique mode
. . improvising around "events" that happen, called . . blue notes

node comments

. . I’ve not succeeded as quickly enough in my first .. next, may be node ! I don’t abandon it, but I have too much work to converge and don’t want to make everybody waiting . .
. . next, may be ! ?

. . Le chaos n’est pas un état informe, ou un mélange confus et inerte, mais plutôt le lieu d’un devenir plastique et dynamique. (…) La philosophie, la science et l’art "tirent des plans sur le chaos". (…)
. . The chaos is not a shapeless state, or a confused and inert mixing, but rather the place of a plastic and dynamic becoming. (…) Philosophy, science and art are "drawing plans" on the chaos." (…)
( Gilles Deleuze – 1991 – "Qu’est-ce que la philosophie ?")

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Outlining a Theory of General Creativity .. on a ‘Pataphysical way
Entropy ≥ Memory . Creativity ²

Studies of the day :

[ Full Screen ] Angels little wings . . ♫ . . atrophied in little hands. [ Full Sound ]

[ Full Screen ] Voodoo Chile . . ♫ . . to dis-ch♫se a vanishing lines. [ Full Sound ]

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"(…) Le musicien peut dire ”je hais la mémoire …", et cela parce qu’il affirme la puissance du devenir. (…) Tout musicien a toujours procédé ainsi : tracer sa diagonale, même fragile, hors des points, hors des coordonnées et des liaisons localisables, pour faire flotter un bloc sonore sur une ligne libérée, créée, une heccéité. (…)"

"(…) The musician can say : "I hate memory ..", because he affirms the power of the future. (…) Any musician has always done so: drawing his diagonals, even fragile, out of referenced points, out of coordinates, out of located routes, in order to make floating a block of sounds on a freed line, created, an haecceity. (…)"

(Gilles Deleuze – Mille Plateaux)

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"(…) Il y a, dans l’improvisation, des règles de la répétition et de l’évènement. L’oeuvre improvisée est une étrange alliance de répétition d’une préparation et d’exposition . . à ce qui vient. (…) Mais ce qu’il y a d’intéressant, qu’il s’agisse de jazz, ou de parole philosophique, c’est l’évènement . . qui arrive malgré la préparation. (…)"

"(…) There are, in improvisation, rules of the repetition, and rules of the event. Improvised artwork is a strange alliance of repetition of a preparation and of the exposure to . . what’s coming. (…) But what is interesting, whether in jazz, or in philosophical speech, is the event . . happening despite preparation. (…)"

(Jacques Derridaimprovisation with Ornette Coleman – interview France Culture)

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my bigHuge Flickr DNA . . neither for forensic analysis nor any positive discrimination !
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[ F11 ] . . my complete random recto-perso collection . . [ F11 ]
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Les notes de guitare marquaient le lieu de culte.
guitare note

Image by [Segle] – REFLEX IS BACK !

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